TEDxSalem

Ideas worth spreading

dance

Rainbow Dance Theatre brings innovation to the TEDxSalem stage

By

Rain­bow Dance The­atre draws inspi­ra­tion from the world around us; from tech­nol­o­gy and social media, from music and art, and from the artists with whom they work and the “messy” cre­ative process that devel­ops through the rela­tion­ships that form.

Atten­dees of TEDxSalem VI will get to watch this inspi­ra­tion come to life on stage Sat­ur­day, Jan­u­ary 5.

Direct­ed by inter­na­tion­al­ly renowned dancer-chore­o­g­ra­phers Valerie Bergman and Dar­ryl Thomas, Rain­bow Dance The­atre cre­ates mod­ern works root­ed in cul­tur­al tra­di­tion, works that cel­e­brates diver­si­ty and style through visu­al expres­sion while meld­ing West African Dance, Hait­ian Dance, Hip Hop, Mar­tial Arts with Amer­i­can Mod­ern Dance.

“Our cre­ative process is very ‘messy,’” said Valerie. “We do not start at the begin­ning of a dance and then work lin­ear­ly through to the end. We may begin with just a ker­nel of an idea or even of cou­ple of move­ment phras­es and/or music choic­es. We will first teach the move­ment and then set para­me­ters for cre­ative explo­ration of those move­ment phras­es with the dancers. They will then phys­i­cal­ly explore from their indi­vid­ual per­spec­tive and return with move­ment gen­er­at­ed from this cre­ative explo­ration. This in turn will send us in a new direc­tion that will in turn gen­er­ate new explo­ration, and so on.”

“Out of this cre­ative ‘soup’ a vision begins to mate­ri­al­ize, often far from the orig­i­nal start­ing idea, and that begins to inform the flow of the chore­og­ra­phy as the con­text emerges,” Valerie said. “Many times it seems that at this point the dance begins to tell us who it is or what it is about, and we do our best to stay with the cre­ative flow and allow it to direct us as much as we are direct­ing it.”

In 2017, Rain­bow Dance Theatre’s pro­duc­tion of The Gar­den of Earth­ly Delights evolved as a result of a com­mis­sion from the Salem Con­cert Band (now: Salem Sym­phon­ic Winds) to set a bal­let to the epony­mous score by Leroy Osmon. “We drew inspi­ra­tion from both the music score and the actu­al trip­tych itself. The paint­ing fed us with a pletho­ra of images from the heav­en­ly to the hell­ish and back to the sub­lime. The music score chal­lenged us with a mul­ti­tude of unusu­al rhyth­mic and melod­ic chal­lenges that pushed us to new places in the chore­og­ra­phy.”

And a new place in chore­og­ra­phy, as well as tech­nol­o­gy, is where Rain­bow Dance The­atre will take the audi­ence of TEDxSalem VI, where Valerie said, it is an hon­or for the Com­pa­ny to present.

For the past six years, the Com­pa­ny has been focused on design­ing ways to inter­sect tech­nol­o­gy with dance through a mean­ing­ful approach that push­es the art form into new fron­tiers of expres­sion, said Valerie. “By col­lab­o­rat­ing with engi­neers, tech­ni­cians and artists from oth­er dis­ci­plines, RDT is push­ing the enve­lope on this inte­gra­tive approach. To be includ­ed in the TEDxSalem event offers a rare oppor­tu­ni­ty to show­case this unique artis­tic genre to a diverse audi­ence that might not oth­er­wise attend a more tra­di­tion­al dance per­for­mance.”

But the group will not be rest­ing after its TEDxSalem per­for­mance as the fol­low­ing day they have a tech rehearsal for an upcom­ing per­for­mance of Ori­gins and Gar­den of Earth­ly Delights, which will be pre­sent­ed at the Smith Fine Arts Series on Jan­u­ary 11 in Mon­mouth. They will also be pre­mier­ing anoth­er per­for­mance, which includes high-impact chore­og­ra­phy, tech­nol­o­gy, and robot­ics, on May 9, so keep an eye on rainbowdancetheatre.org.

TEDxSalem VI

TEDxSalem VI is an all-day event fea­tur­ing talks, per­for­mances, refresh­ments, lunch and a swag bag. It runs 9 a.m. to 4:30 p.m. Sat­ur­day, Jan. 5 at the Salem Con­ven­tion Cen­ter. Tick­ets are on sale now for $55, $45 for stu­dents. Fol­low us on Face­book for the most up-to-date news from our com­mu­ni­ty, and check our web­site reg­u­lar­ly for new infor­ma­tion. You can also reach us at info@tedxsalem.com.

Tippy Toe: Taking over the TEDx stage

By

As if there wasn’t enough to see and do, atten­dees of this year’s TEDxSalem event “Through the Look­ing Glass” will be treat­ed to a per­for­mance by Salem’s own Tip­py Toe Dance Stu­dio.

The stu­dio focus­es on bal­let, but also teach­es hip-hop, con­tem­po­rary, and pas de deux, along with fit­ness class­es and com­pet­i­tive danc­ing.

Those who came out to 2015’s “Fear­less” event will remem­ber their lights-out com­bi­na­tion per­for­mance with the Tru­Root break­danc­ing squad.

We sat down recent­ly with stu­dio founder Rebec­ca Swish­er, 32, and stu­dio man­ag­er Nicole Tea-Pel­ley, 20, about their upcom­ing per­for­mance.

TEDx Salem: Tell us about the start of the stu­dio.

Rebec­ca Swish­er: “We cre­at­ed it in 2009, and I had been work­ing local­ly as a chore­o­g­ra­ph­er for quite some time. And I kept being asked by friends and peo­ple that I would meet in the com­mu­ni­ty: ‘Oh, could you just teach my child dance, or my friend dance,’ and so I start­ed with just a hand­ful of stu­dents, actu­al­ly in my back­yard, we built a small stu­dio for it.

And I just kept think­ing, if I’m going to have a stu­dio, I want­ed to do it dif­fer­ent­ly than stu­dios had been in the past. So, we’ve real­ly grown into this family…We real­ly focus on dancers find­ing their indi­vid­u­al­i­ty, their own cre­ativ­i­ty, and just feel­ing free to express them­selves in any way. And we’ve real­ly become a fam­i­ly out of that.”

Nicole Tea-Pel­ley: “From the ground up from the lit­tle kids to the old­est dancers – We have peo­ple who are in their lat­er twen­ties here – every­body knows every oth­er per­son who dances at the stu­dio, and we all can build off of that, and we become bet­ter dancers off of that.

We all have dif­fer­ent traits and you’ll see that in every stu­dio, but com­pared to oth­er places that I’ve seen, we real­ly embrace that, and we use that to make our­selves bet­ter and more well-round­ed.”

TxS: How do you feel your per­for­mance will align with this year’s theme, “Through the Look­ing Glass?”

RS: “…when I think of TEDx, I think of a safe place where peo­ple come togeth­er to share ideas, and how it has this rip­ple effect with­in our com­mu­ni­ty when we share ideas with each oth­er. When think­ing ‘through the look­ing glass,’ I thought of that and put it on a larg­er scale.

Our piece express­es not always going with just the norm, not always just fit­ting in a par­tic­u­lar social group or way of think­ing… We’re try­ing to express to peo­ple being open to new ways of think­ing and real­ly expe­ri­enc­ing free­dom from that.

Once you’re will­ing to chal­lenge the way you’re think­ing a whole new world can open up to you.”

TxS: What can the TEDx audi­ence look for­ward to? What are you going to hit us with?

NTP: “They won’t just see dancers on a stage — they’re going to see real peo­ple, and the real emo­tions that peo­ple go through, as they, as Bec­ca was say­ing, break out of the norm of soci­ety and real­ly con­nect with some­thing in them­selves.

Because no mat­ter what somebody’s jour­ney is, every­body has gone through some­thing sim­i­lar to that, in one way or anoth­er. With this piece we are real­ly try­ing to con­nect with peo­ple on that lev­el. We get real­ly real, we get to points where we’re not doing spe­cif­ic moves, but we’re just being our­selves, and I think that peo­ple will real­ly be kind of shocked by that. And it’ll make them think real­ly hard.”

RS: “There’s also a lit­tle bit of sur­prise ele­ments in the dances, of pair­ing togeth­er dif­fer­ent styles of dance that you wouldn’t nor­mal­ly think of putting togeth­er.”

TxS: Tell me there’s going to be break­danc­ing!

RS: “There’s a lit­tle bit of break in there, yeah.” (laughs)

TxS: How do you keep it fresh?

RS: “Well, I don’t pay atten­tion to what oth­er peo­ple are doing. We def­i­nite­ly do things our own way, and we all play a part in chore­og­ra­phy, and we move the way we’re feel­ing.”

TxS: What do you want to accom­plish at TEDxSalem this year?

RS: “I want to feel like our mes­sage has been heard, and I think TEDx is a real­ly good plat­form for that. For me as an artist, when I have some­thing that I need to express, I need to be able to know that I was heard or I was seen, and it’s like some­thing in me that has to get that out.”

NTP: “I’m excit­ed about the con­nec­tion between the audi­ence and us. TEDx has audi­ence mem­bers from all walks of life, but def­i­nite­ly there’s a strong sense of peo­ple who do have the artis­tic and cre­ative minds there. And I think that if we can con­nect with some of those peo­ple and impact some of those peo­ple, that’s where we get real­ly cool new and big ideas, and that’s where that flow starts to go that we real­ly are inspired by.”

TxS: Now this is real­ly impor­tant — How are you going to avoid hit­ting the TEDxSalem sign when you dance?

RS: “That’s a real­ly good ques­tion. We’ve actu­al­ly been tap­ing out our stu­dio [floor], to say if you cross this line of tape you are going to be hit­ting the TEDx sign. So right now that’s our plan of attack.”

Learn more about the stu­dio at www.tippytoedancestudio.com, and join us Jan. 6 to catch ’em live on our stage.

Get your tickets for TEDxSalem V

TEDxSalem V is an all-day event fea­tur­ing talks, per­for­mances, refresh­ments, lunch and a swag bag that takes place Sat­ur­day, Jan. 6, 2018, at the Salem Con­ven­tion Cen­ter. Pur­chase tick­ets here. Fol­low us on Face­book for the most up-to-date news from our com­mu­ni­ty, and check our web­site reg­u­lar­ly for new infor­ma­tion. You can also reach us at info@tedxsalem.com.